*Selected* Products

Contact Us

Educational Music Service
P.O. Box 580
Chester, NY 10918

Phone: 845-469-5790
Phone Hours: 10am to 1pm and 2pm to 5pm Eastern, Monday through Friday

Fax: 845-469-5817
Email: [email protected]

Don's Search Tips Video
Don Boyer's Search Tips Video
(Click the picture to View)

Recent Kudos
"EMS has been exceptional
at finding the Nieweg et al.
corrected editions for our orchestra."











Credit Card Processing





Secure Order Form

  Home > Band >

AIR MAIL SPECIAL: Arranged by Jimmy Mundy, Edited by Jeffrey Sultanof: Jazz Lines Publications
AIR MAIL SPECIAL: Arranged by Jimmy Mundy, Edited by Jeffrey Sultanof: Jazz Lines Publications
 
List Price: $65.00


Availability: Usually ships in 1-2 weeks, or give a specific Rush Delivery Date at Checkout.
Product Code: JLP-8206
Qty:

Other Ref. # / Component / Instrumentation / Duration
 
Jazz Big Band Arrangement / Full Score, Solo Clarinet, 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 2 Trombones, Guitar, Piano, Bass, Drums

Recorded By Benny Goodman

Arranged By Jimmy Mundy, Edited By Jeffrey Sultanof

Swing - Medium Difficult

In 1941, Benny Goodman led the second of his great ensembles. Only Teddy Wilson, Irving Goodman, and arranger Jimmy Mundy remained from the 1935-39 band that jump-started the swing era of popular music. This band still played the music of Fletcher Henderson, but Eddie Sauter was contributing a great deal to its musical personality. This band would also highlight the early work of pianist/arranger Mel Powell. Air Mail Special was originally titled Good Enough To Keep , which was recording session-speak for "This may not be the performance that we want to release to the public, but let's hold on to it just in case." Many of these alternate performances were eventually released to the public, in many cases to the consternation of the musicians themselves, who didn't enjoy some of their lesser efforts being heard. Of course, some alternate performances are better than the ones that were released, only held back because of a single mistake. It was Mundy who arranged this for the Goodman band, and he is even cut in on composer credit, a generous gesture on Benny's part, who also took a piece for himself. As we know, the tune was the sole creation of guitarist Charlie Christian, who wrote a number of pieces that Goodman played mostly in small-group settings. Mundy also arranged this for Count Basie and Harry James, and played it when he led his own big band in 1946. Please note that this is the complete arrangement from the original parts in the Benny Goodman library. Some sections were cut by Goodman, but restored here. Mundy makes interesting use of stop-time in this arrangement, and these sections should get extra attention so that the band sounds like one person. This arrangement, like all of Goodman's arrangements, was meant to be danced to, so it really should not be played too fast.
Sample Pages/Covers/Audio
  • Sample Page(s): EJazzLines Sound Sample: Sound