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BEETHOVEN, Ludwig van (1770-1827) - Symphony No. 9 in D minor, Op.125 (Choral) (Urtext) (Del Mar) (G). BAERENREITER VERLAG - hard-bound score (with critical notes)
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BA09009-01 / hard-bound score (with critical notes) / soli(SATB), chor(satb), orch: 2+1, 2, 2, 2+1 - 4, 2, 3, 0, timp, perc, str, soli(SATB), chor(satb)
Beethoven and Baerenreiter - a marriage made in heaven! It all started in 1996 with Symphony No. 9: Jonathan Del Mar's groundbreaking edition of this masterpiece marked the beginning of his new edition of the complete nine symphonies. They became a huge success and have been used by countless orchestras all over the world.
In the run-up to the Beethoven Year 2020, Del Mar has returned to the sources 20 years later and scrutinised them afresh. The results: the musical text has withstood the test of time. Baerenreiter's new edition now has an optimised layout and an additional Introduction by Barry Cooper. Rounding off this beautiful linen-bound volume are several pages reproduced in facsimile.
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Baerenreiter Beethoven Orchestra Editions - Special 250th Anniversary Offer
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In honor of the 250th anniversary of Beethoven's birth, EMS offers special 20% and 30% discounts on purchases of his orchestral works in Baerenreiter editions. Please see this brochure for specifics:
Brochure: Baerenreiter Beethoven Orchestral Editions
Listing of titles with prices
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SIBELIUS, Jean (1865-1957) - Andante Festivo, Op.117a (JS 34b) (Urtext). FENNICA GEHRMAN
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9790550113992 / str, timp / Dur 5
Sibelius's beloved Andante festivo in a new Urtext edition. Andante festivo for string orchestra is among the last works Sibelius prepared for publication. The original version for string quartet in 1922, but in 1938 he arranged the work for string orchestra and timpani ad lib. The string orchestra version was premiered on January 1, 1939 in a live broadcast from Helsinki, celebrating the New York World Fair.
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Working Zone (Indermuehle/Huotarinen). FENNICA GEHRMAN - book
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9790550115347 / book / bk
Scale and Interval Exercises - For tuba and other bass clef instruments
Authors: Nicolas Indermuehle and Lauri Huotarinen
"Working Zone" is the area where you make personal progress. In "Working Zone" the things you practice are not too difficult or too easy, but they are challenging enough. Regular, dedicated and focused practicing in the "Working Zone" will improve your playing skills. Find your "Working Zone" daily. Work there slowly and systematically. Be patient. Focus on practicing the things you really need to. Try always to be aware why you are doing what you are doing.
In this publication, the authors wanted to gather, combine and clearly explain, what in their opinion are the most important things to practice. The book is written with tuba in mind, but the exercises are universal: any low brass instrument, any bass clef instrument is applicable. On-line material at http://workingzone.fennica.digital/
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SIBELIUS, Jean (1865-1957) - Rakastava, Op. 14. (Urtext) FENNICA GEHRMAN
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9790550114012 / str orch, timp, triangle / Dur 15
Sibelius composed the Kanteletar Rakastava texts first for male choir in 1894, he then added a string orchestra to the male choir, and finally, he made a version for mixed choir in 1898. In 1911-1912 he returned to Rakastava and arranged it for
string orchestra, timpani and triangle as op. 14. The string orchestra version shares some material with the choir versions, the string orchestra version in this publication has an elaborated texture strongly differing from the version
with choir. In his diary Sibelius writes: "Op. 14 is one of my best works! Surely!"
Both the early version (1911) and the final version (1912) are included.
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RAUTAVAARA, Einojuhani (b.1928) - Symphony No. 7 (Angel of Light). FENNICA GEHRMAN - large score
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9790550114449 / large score / orch
Einojuhani Rautavaara (1928-2016) was one of Finland's internationally most successful composers. He made his major breakthrough with the Symphony No. 7, Angel of Light, in the 1990s, but his output includes numerous classic operas, concertos, chamber music and choral works.
Over his extensive career, he progressed from Neo-Classicism to strict dodecaphony to free-tonal Neo-Romanticism, combining modernism with mystical romanticism in his later works. According to the composer, the role of the composer is to be mediator, a midwife, who helps the music become alive on its own terms; "Listen to what the music wants to tell you", he told his composition students, "sense where it wants to go".
Rautavaara rose to great international fame with the success of his Symphony No. 7, Angel of Light (1995) powered by the prize-winning recording (Helsinki Philharmonic, Segerstam, Ondine label) later the same year. Many high-profile international commissions followed, creating yet more prize-winning recordings.
To mark the 25th anniversary of the work's premiere - in its original form as the Bloomington Symphony - by the Bloomington Symphony Orchestra and conductor David Pickett, Fennica Gehrman is publishing an entirely new edition of the symphony based on all available sources, including the composer's manuscript and his markings in various printed scores.
This is a large-sized conductor score with extensive analysis of the work and its genesis.
Page 31 correction can be dowloaded here: http://fennica.digital/ejr_aol.html
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SIBELIUS, Jean (1865-1957) - Scherzo for String Orchestra (from Op. 4) (Urtext). FENNICA GEHRMAN
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9790550113893 / str orch: timp, str / Dur 5
Scherzo from Op. 4 is a charming presto for string orchestra. It is based on the third movement of Sibelius's String Quartet in B-flat major, on which the composer added a double bass part. The premiere of the string orchestra version took place on 17 February 1894 in Turku, composer conducting. Reviews were enthusiastic: "Sibelius's music appeared in its most beautiful splendor and instrumental brilliance in the Presto movement, where the singing motive was carried out with charm and beauty - -, cascades of diligently and brilliantly composed scherzo-figures and melodies [give a] thoroughly delightful and frisky, lively character."
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BEETHOVEN, Ludwig van (1770-1827) - Symphony No. 9 in D minor, Op.125 (Choral) (Urtext) (Kraus) (G). G. HENLE
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PB14619 / soli(SATB), chor(satb), orch: 2+1, 2, 2, 2+1 - 4, 2, 3, 0, timp, perc, str, soli(SATB), chor(satb) / Dur 70
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MORRICONE, Ennio (b.1928) - Gabriel's Oboe (from "The Mission") (Mancini Series). HAL LEONARD
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HAL04491290 / orch / Dur 5
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MIRANDA, Lin-Manuel - Hamilton Suite (Brubaker). ALFRED PUBLISHING CO.
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ALF045858 / orch / Dur 6
Hamilton is a musical about the life of American Founding Father
Alexander Hamilton, with music, lyrics, and book by Lin-Manuel Miranda
and others. In 2016, it was nominated for a record-setting 16 Tony
Awards®, winning 11 (including Best Musical), and was also the recipient
of the 2016 GRAMMY AWARD® for Best Musical Theater Album and the 2016
Pulitzer Prize for Drama. Jerry Brubaker has chosen six of the most
musical selections from the show to use in this arrangement, including
"You'll Be Back," "Helpless," "My Shot," "Dear Theodosia," "It's Quiet
Uptown," and "One Last Time." Experience the beauty and excitement of
this amazing musical! (6:00)
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MAHLER, Gustav (1860-1911) - Symphony No. 4 in G (Final version, 1911) (Ed. Christian Riedel). BREITKOPF & HAERTEL
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PB05634 / solo(S), orch: 4d2, 3d1, 3d1, 3 - 4, 3, 0, 0, timp, perc, glockenspiel, hp, str, solo [soprano] / Dur 50
Textcritical edition edited by Christian Rudolf Riedel [S,orch]
Duration: 54'
Final version 1911
Of all his symphonies, Mahler gave the Fourth, his favorite and problem child, his most particular attention. "The Heavenly Life," a humoresque composed in 1892 for soprano and piano, which he already wanted to use in the final movement of the Third Symphony under the title "What the Child Tells Me," ultimately became the nucleus and final movement of the Fourth. Even after publication in 1901, Mahler kept repeatedly refining the orchestration. His maxim "not without my retouching" led to a whole series of revised reprints. It is probably no coincidence that Mahler performed especially the Fourth Symphony in his last two New York concerts in February 1911, using this opportunity to review once again the score and parts. This performance material with his "retouching" served as the main source for the new edition. Furthermore, included for the first time were corrections and annotations in conjunction with performances of the Fourth, which Mahler entered into the scores of conductors such as Mengelberg and Wickenhauser.
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MORRICONE, Ennio (b.1928) - Cinema Paradiso (Arr. Angela Morley). HAL LEONARD
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HAL04491617 / vn, orch: 3, 3, 3, 3 - 4, 0, 3, 1, timp, hp, cel, str, solo vn
Cinema Paradiso (Arr.Angela Morley).
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