PB05532 / orch
color: rgb(255, 255, 255);">Bol_ro, La Valse and Rapsodie espagnole, presents a text in which even the tiniest detail is authentic. The edition not only eliminates many previously undiscovered errors, but also offers a wealth of practical information on the long and multi-faceted performance history of the work, including the metronome markings of great conductors who were connected to the work in a very special manner.
Premiered at the Lincoln Memorial on New Year's Eve 1999, American Journey is a sweeping orchestral work by John Williams. Written to accompany Steven Spielberg's multimedia presentation for the nation's Millennium celebration, this po
2(2nd d. Picc)+Picc.2(2nd d.Obd'am)+EH.2+ECl, BCl.2+CBsn: SSSax.SSax(d. TSax): 4.3+PiccTpt.3.1: Timp.Perc(5): Clst.Hp: Str (9.8.7.6.5 in set). This edition includes transposed parts and alternative parts for those less common instruments Ravel utilized in this work.
Textcritical Edition edited by Christian Rudolf Riedel [orch] Duration: 75' picc.4.4(cor ang).5(Eb-clar.Bb-clar).4(dble bsn) - 4.3.3.1 - 2hp.timp.perc(4) - str
-string parts with and without Mahler's bowing marks -(marked part is included with the set as a set-up aid) -scoring with two harps as arranged by Bruno Walter -spacious layout for optimal legibility -suitable page turns and cue notes -aids for orientation and instrument changes
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The search for unknown works by Johann Sebastian Bach has a long tradition that began in the 19th century with enthusiastic Bachians such as Felix Mendelssohn Bartholdy. If, in the present day, two hitherto unattributed organ works are ascribed to the young Bach, then this is a musicological and, above all, a musical sensation!
After more than 30 years of intensive research, Prof. Dr. Peter Wollny was able to prove beyond a doubt that the young Bach was the composer of both pieces.
The Chaconnes BWV 1178 and 1179, published in 2025 for the first time, add two melodious compositions to Bach's early organ repertoire, offering insights into the artistic development of the budding master.
Errata corrected. Transposed/Transcribed: Bn 1+2 in Bass clef, Picc Tpt in Bb (transposed from Petite Trumpet in D), Tpt 1-3 in Bb, Trbn 1+2 in Bass clef, Sopranino Sax in Eb (transposed from Sopranino Sax in F), Soprano Sax in Bb (alternate for Sopranino Sax). (10 parts total) Alternate parts: Alternate Oboe d'Amore part included in the Original Oboe II AND Original English Horn parts, divided based on the range of each instrument. Optional Sopranino Sax in Eb OR Soprano Sax in Bb = alternate parts for Sopranino Sax in F. See notes in score for more details on the alternate parts.
PB05711 / large score (10.5" x 14") (p) / orch: 3+1, 4d1, 2+1+e-fl.cl, 3+1 - 8, 5, 3, 2, timp, perc, 2hp, str / Dur 45
First Urtext edition since the first print Evaluation of all available sources (e.g., autograph score as well as the corrected printed scores by Walter Seifert and Clemens Krauss) For the first time ever, the first version of the ending is included Due to sophisticated alternatives in the parts, both endings are performable
From publisher's website: In its eventful history, George Gershwin's "Concerto in F" went through numerous changes, cuttings, arrangements, many of which were doubtful and unauthorized. Even the first and so far only printed orchestral score, edited by Frank Campbell-Watson, published in 1942 (five years after Gershwin's death), contains many unauthorized interventions. Through years of research, editor Norbert Gertsch has succeeded in ridding the work of all unauthorized additions and alterations and thus reconstructing an Urtext in its original literal sense from the complex source material from autograph sketches to early recordings. The first text-critical edition of the work is a joint production of Breitkopf (score and orchestral parts) and G. Henle Verlag (piano reduction).