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RESPIGHI, Ottorino (1879-1936) - Roman Festival (Feste romane). LUCK'S MUSIC LIBRARY
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LUC12834 / orch
3D1.2+1.3+1.2+1/4.4.3.1,timp,perc,mandolin,org,piano (2 players/4 hands),3 buccina,str
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MUSSORGSKY, Modest Petrovich (1839-1881) - Pictures at an Exhibition (Ravel). LUCK'S MUSIC LIBRARY
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LUC12733 / orch: 3d1, 3d1, 2+1, 2+1, sax - 4, 3, 3, 1, timp, perc, 2hp, cel, str / Dur 29
Pictures at an Exhibition (Ravel) (Masterworks Series).
Errata corrected. Transposed parts: Cl 1+2, Bass Cl in Bb, Tpt 1-3, Trbn 1+2. Orchestrated by Ravel. Solo tuba in Bydlo.
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JANACEK, Leos (1854-1928) - Sinfonietta (ILJ 22) (Fuessl). EDWIN F. KALMUS
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A9338 / orch
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RESPIGHI, Ottorino (1879-1936) - Fountains of Rome (Fontana di Roma), P.106 (Critical Performance Edition) (C.F. Nieweg/D.J. Miller). SERENISSIMA MUSIC
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SM30038-0 / orch: 2+1, 2+1, 2+1, 2 - 4, 3, 3, 1, timp, perc, 2hp, cel, org, pf, str / Dur 16
The newly engraved 2025 Critical Performance Edition (CPE) is the result of over 30 years of meticulous research and editing based on the first printed score of 1918 with corrections. The main sources are the errata list for the MS, Ricordi PR 206 full score and corresponding parts, the PR 438 study score, and the 1919 four-hand piano reduction by the composer.
This edition has incorporated hundreds of edits and corrections, building upon the Nieweg/Bradburd 1994 edition which itself had incorporated many edits and corrections.
The CPE includes the original 2-page front matter: instrumentation page, errata list, and notation changes.
This edition was premiered on March 8 and 9, 2025, by the Cincinnati Symphony (Giancarlo Guerrero, conductor).
This new, corrected edition was created from original sources to benefit conductors and performers in its engraving and design, and consequently brings enhanced accuracy and transparency to the performance material.
Offered in a special folio-size (11" x 14.25") full score (spiral bound), as well as the standard size (9.5" x 12.5"). The larger score is printed on an 80-lb off-white stock to minimize tears when turning pages and to maximize visibility under stage lighting.
This new CPE replaces the 1994 edition (parts for that edition can be supplied for those who might be missing items from a previously purchased set).
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MAHLER, Gustav (1860-1911) - Symphony No. 5 in C-sharp minor (critical edition) (Pfefferkorn/Riedel). BREITKOPF & HAERTEL
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PB05635 / orch: 4d1, 3d1, 3 (d Db/E Bcl), 3d1 - 6, 4, 3, 1, timp, perc, 2hp, str / Dur 65
IMPORT POSTAGE MAY APPLY.
(IMPORT POSTAGE MAY APPLY.)
Textcritical Edition edited by Nick Pfefferkorn and Christian Rudolf Riedel [orch] Duration: 74'
4(4picc).3(cor ang).3(D/Eb.B-clar).3(dble bsn) - 6.4.3.1 - 2hp.timp.perc(4) - str
- Spacious format for optimal legibility
- Practical page turns, useful cue notes
- Clarinets "in D" and "in C" also "in E-flat" and "in B-flat" in the parts
- Percussion score instead of separate parts
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RACHMANINOFF, Sergei Vassilievich (1873-1943) - Concerto for Piano No. 2 in C minor, Op. 18 (Urtext) (Rahmer). BREITKOPF & HAERTEL
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PB15138 / pf, orch
The present first Urtext edition, created in cooperation with G. Henle Verlag, takes into account the autograph score, as well as recordings with the composer at the piano. The informative texts shed light on the process of creation and the context in Rachmaninoff�s oeuvre.
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RAVEL, Maurice (1875-1937) - Bolero (original) (2025). EDWIN F. KALMUS
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A9373 / orch / Dur 15
2(2nd d. Picc)+Picc.2(2nd d.Obd'am)+EH.2+ECl, BCl.2+CBsn: SSSax.SSax(d. TSax): 4.3+PiccTpt.3.1: Timp.Perc(5): Clst.Hp: Str (9.8.7.6.5 in set). This edition includes transposed parts and alternative parts for those less common instruments Ravel utilized in this work.
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TCHAIKOVSKY, Peter Ilyich (1840-1893) - Serenade in C, Op. 48 (Urtext) (Ed. Tanja Geschwind). BREITKOPF & HAERTEL
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PB05271 / str orch: str / Dur 28
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RAVEL, Maurice (1875-1937) - Bolero (edited by Monnard) (Urtext). BREITKOPF & HAERTEL
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PB05299 / orch: 3d1, 2d1, 3d1de-fl.cl, 3d1, 2sax - 4, 4, 3, 1, timp, perc, hp, cel, str
Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: "I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies."
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BACH, Johann Sebastian (1685-1750) - Chaconnes (2) (BWV 1178 & 1179) (Urtext) (Wollny). BREITKOPF & HAERTEL - organ (oblong format)
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EB9648 / organ (oblong format) / org
The search for unknown works by Johann Sebastian Bach has a long tradition that began in the 19th century with enthusiastic Bachians such as Felix Mendelssohn Bartholdy. If, in the present day, two hitherto unattributed organ works are ascribed to the young Bach, then this is a musicological and, above all, a musical sensation!
After more than 30 years of intensive research, Prof. Dr. Peter Wollny was able to prove beyond a doubt that the young Bach was the composer of both pieces.
The Chaconnes BWV 1178 and 1179, published in 2025 for the first time, add two melodious compositions to Bach's early organ repertoire, offering insights into the artistic development of the budding master.
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MAHLER, Gustav (1860-1911) - Symphony No. 9 in D (Riedel) (Critical Edition). BREITKOPF & HAERTEL
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PB05639 / orch / Dur 75
Textcritical Edition edited by Christian Rudolf Riedel [orch] Duration: 75'
picc.4.4(cor ang).5(Eb-clar.Bb-clar).4(dble bsn) - 4.3.3.1 - 2hp.timp.perc(4) - str
-string parts with and without Mahler's bowing marks
-(marked part is included with the set as a set-up aid)
-scoring with two harps as arranged by Bruno Walter
-spacious layout for optimal legibility
-suitable page turns and cue notes
-aids for orientation and instrument changes
*** PLEASE NOTE: IMPORT POSTAGE APPLIES (FEDEX ECONOMY FROM GERMANY)
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SCHUMANN, Robert Alexander (1810-1856) - Concerto for Cello in A minor, Op.129 (Urtext) (Kate Bennett Wadsworth). BAERENREITER VERLAG
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BA08839 / vc, orch: 2, 2, 2, 2 - 2, 2, 0, 0, timp, str, solo vc / Dur 23
- Scholarly-critical edition of the concerto's version authorized by Schumann
- With detailed textual and audiovisual documentation on performance practice
Volume / Series
BAERENREITER URTEXT
Editor
Wadsworth, Kate Bennett
Instrumentation of the work
Orchestra
Language(s) of text
German, English
Product format
Score, Urtext edition
Pages / Format
XXXIII, 70 S. - 31,0 x 24,3 cm
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