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BEETHOVEN, Ludwig van (1770-1827) - Symphony No. 9 in D minor, Op.125 (Choral) (Urtext) (Del Mar) (G). BAERENREITER VERLAG - hard-bound score (with critical notes)
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BA09009-01 / hard-bound score (with critical notes) / soli(SATB), chor(satb), orch: 2+1, 2, 2, 2+1 - 4, 2, 3, 0, timp, perc, str, soli(SATB), chor(satb)
Beethoven and Baerenreiter - a marriage made in heaven! It all started in 1996 with Symphony No. 9: Jonathan Del Mar's groundbreaking edition of this masterpiece marked the beginning of his new edition of the complete nine symphonies. They became a huge success and have been used by countless orchestras all over the world.
In the run-up to the Beethoven Year 2020, Del Mar has returned to the sources 20 years later and scrutinised them afresh. The results: the musical text has withstood the test of time. Baerenreiter's new edition now has an optimised layout and an additional Introduction by Barry Cooper. Rounding off this beautiful linen-bound volume are several pages reproduced in facsimile.
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Twelve Select Overtures (arr. Hummel). A-R EDITIONS, INC.
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N00035 / pf, fl, vn, vc
*** The score is the piano part.
During the period 1820-30, the noted pianist, composer, and teacher Johann Nepomuk Hummel was commissioned by the English entrepreneur J. R. Schultz to make arrangements of symphonies, concertos, and twenty-four opera overtures. All are scored for an ensemble of piano, flute, violin, and cello. Twelve Select Overtures, the first of two sets of twelve overture arrangements, appeared in London in the early 1820s.
The practice of arranging large-scale works for small ensembles was very popular during the early nineteenth century. Playing transcriptions was an ideal way to learn the newest compositions and a favorite mode of home entertainment (and, at times, of romantic courtship). The vast majority of the public experienced orchestral music through the medium of chamber music, in the privacy of their living rooms.
Many composers were asked to make such arrangements, but their efforts met with limited success. Hummel, however, was ideally suited to the task. A student of Mozart and a friend and colleague of Beethoven, Weber, and others, he had also conducted many of these operas in his capacity of kapellmeister in Weimar. Hummel's arrangements of these twelve overtures are masterful examples of the genre and are also a joy to play. The set includes some of the best-known and most popular overtures by Mozart, Beethoven, Weber, and Rossini, as well as examples by composers who are less well known. They open a window on the world of early-nineteenth-century opera and also provide valuable information about the performance practices of the period.
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Working Zone (Indermuehle/Huotarinen). FENNICA GEHRMAN - book
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9790550115347 / book / bk
Scale and Interval Exercises - For tuba and other bass clef instruments
Authors: Nicolas Indermuehle and Lauri Huotarinen
"Working Zone" is the area where you make personal progress. In "Working Zone" the things you practice are not too difficult or too easy, but they are challenging enough. Regular, dedicated and focused practicing in the "Working Zone" will improve your playing skills. Find your "Working Zone" daily. Work there slowly and systematically. Be patient. Focus on practicing the things you really need to. Try always to be aware why you are doing what you are doing.
In this publication, the authors wanted to gather, combine and clearly explain, what in their opinion are the most important things to practice. The book is written with tuba in mind, but the exercises are universal: any low brass instrument, any bass clef instrument is applicable. On-line material at http://workingzone.fennica.digital/
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GERSHWIN, George (1898-1937) - Rhapsody in Blue (Arr. Iain Farrington). ARIA EDITIONS
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AE99999 / chbr orch: 1, 1, 1, 1, sax - 1, 1, 1, 0, timp, perc, str, solo pf, (minimum strings 2,2,2,2,1)
Arranged for piano solo and chamber orchestra
George Gershwin (1898-1937) composed his Rhapsody in Blue in a matter of weeks, before its premiere in 1924. It was commissioned by the bandleader Paul Whiteman for his own ensemble, and was premiered at New York's Aeolian Hall in a concert intended to showcase a new style of symphonic jazz. Whiteman's ensemble consisted of 23 players, mostly wind and brass with violins, percussion and banjo. In 1926, with high demand for the piece, the piece was re-scored for a standard symphonic orchestra, incorporating full sections of strings, woodwind and brass. This new chamber orchestra version uses a similar number of players as the original band version, restoring the smaller scale of Whiteman's band, but with the full range of orchestral colour familiar from the orchestral version and from Gershwin's own works.
Instrumentation: Flute, Oboe, Clarinet, Alto Saxophone, Bassoon, Horn, Trumpet, Trombone, Percussion (Timpani, Crash Cymbal, Suspended Cymbal, Bass Drum, Snare Drum, Glockenspiel, Triangle), Piano solo, Violin I, Violin II, Viola, Violoncello, Double Bass?. Strings must be a minimum of 2.2.2.2.1.
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MIRANDA, Lin-Manuel - Hamilton Suite (Brubaker). ALFRED PUBLISHING CO.
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ALF045858 / orch / Dur 6
Hamilton is a musical about the life of American Founding Father
Alexander Hamilton, with music, lyrics, and book by Lin-Manuel Miranda
and others. In 2016, it was nominated for a record-setting 16 Tony
Awards®, winning 11 (including Best Musical), and was also the recipient
of the 2016 GRAMMY AWARD® for Best Musical Theater Album and the 2016
Pulitzer Prize for Drama. Jerry Brubaker has chosen six of the most
musical selections from the show to use in this arrangement, including
"You'll Be Back," "Helpless," "My Shot," "Dear Theodosia," "It's Quiet
Uptown," and "One Last Time." Experience the beauty and excitement of
this amazing musical! (6:00)
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Baerenreiter Beethoven Orchestra Editions - Special 250th Anniversary Offer
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In honor of the 250th anniversary of Beethoven's birth, EMS offers special 20% and 30% discounts on purchases of his orchestral works in Baerenreiter editions. Please see this brochure for specifics:
Brochure: Baerenreiter Beethoven Orchestral Editions
Listing of titles with prices
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MORRICONE, Ennio (b.1928) - Cinema Paradiso (Arr. Angela Morley). HAL LEONARD
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HAL04491617 / vn, orch: 3, 3, 3, 3 - 4, 0, 3, 1, timp, hp, cel, str, solo vn
Cinema Paradiso (Arr.Angela Morley).
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BEETHOVEN, Ludwig van (1770-1827) - Symphony No. 9 in D minor, Op.125 (Choral) (Urtext) (Kraus) (G). G. HENLE
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PB14619 / soli(SATB), chor(satb), orch: 2+1, 2, 2, 2+1 - 4, 2, 3, 0, timp, perc, str, soli(SATB), chor(satb) / Dur 70
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MAHLER, Gustav (1860-1911) - Symphony No. 4 in G (Final version, 1911) (Ed. Christian Riedel). BREITKOPF & HAERTEL
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PB05634 / solo(S), orch: 4d2, 3d1, 3d1, 3 - 4, 3, 0, 0, timp, perc, glockenspiel, hp, str, solo [soprano] / Dur 50
Textcritical edition edited by Christian Rudolf Riedel [S,orch]
Duration: 54'
Final version 1911
Of all his symphonies, Mahler gave the Fourth, his favorite and problem child, his most particular attention. "The Heavenly Life," a humoresque composed in 1892 for soprano and piano, which he already wanted to use in the final movement of the Third Symphony under the title "What the Child Tells Me," ultimately became the nucleus and final movement of the Fourth. Even after publication in 1901, Mahler kept repeatedly refining the orchestration. His maxim "not without my retouching" led to a whole series of revised reprints. It is probably no coincidence that Mahler performed especially the Fourth Symphony in his last two New York concerts in February 1911, using this opportunity to review once again the score and parts. This performance material with his "retouching" served as the main source for the new edition. Furthermore, included for the first time were corrections and annotations in conjunction with performances of the Fourth, which Mahler entered into the scores of conductors such as Mengelberg and Wickenhauser.
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MORRICONE, Ennio (b.1928) - Gabriel's Oboe (from "The Mission") (Mancini Series). HAL LEONARD
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HAL04491290 / orch / Dur 5
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