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SCHUMANN, Robert Alexander (1810-1856) - Concerto for Cello in A minor, Op.129 (Urtext) (Kate Bennett Wadsworth). BAERENREITER VERLAG
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BA08839 / vc, orch: 2, 2, 2, 2 - 2, 2, 0, 0, timp, str, solo vc / Dur 23
- Scholarly-critical edition of the concerto's version authorized by Schumann
- With detailed textual and audiovisual documentation on performance practice
Volume / Series
BAERENREITER URTEXT
Editor
Wadsworth, Kate Bennett
Instrumentation of the work
Orchestra
Language(s) of text
German, English
Product format
Score, Urtext edition
Pages / Format
XXXIII, 70 S. - 31,0 x 24,3 cm
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MAHLER, Gustav (1860-1911) - Symphony No. 5 in C-sharp minor (critical edition) (Pfefferkorn/Riedel). BREITKOPF & HAERTEL
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PB05635 / orch: 4d1, 3d1, 3 (d Db/E Bcl), 3d1 - 6, 4, 3, 1, timp, perc, 2hp, str / Dur 65
IMPORT POSTAGE MAY APPLY.
(IMPORT POSTAGE MAY APPLY.)
Textcritical Edition edited by Nick Pfefferkorn and Christian Rudolf Riedel [orch] Duration: 74'
4(4picc).3(cor ang).3(D/Eb.B-clar).3(dble bsn) - 6.4.3.1 - 2hp.timp.perc(4) - str
- Spacious format for optimal legibility
- Practical page turns, useful cue notes
- Clarinets "in D" and "in C" also "in E-flat" and "in B-flat" in the parts
- Percussion score instead of separate parts
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MAHLER, Gustav (1860-1911) - Symphony No. 9 in D (Riedel) (Critical Edition). BREITKOPF & HAERTEL
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PB05639 / orch / Dur 75
Textcritical Edition edited by Christian Rudolf Riedel [orch] Duration: 75'
picc.4.4(cor ang).5(Eb-clar.Bb-clar).4(dble bsn) - 4.3.3.1 - 2hp.timp.perc(4) - str
-string parts with and without Mahler's bowing marks
-(marked part is included with the set as a set-up aid)
-scoring with two harps as arranged by Bruno Walter
-spacious layout for optimal legibility
-suitable page turns and cue notes
-aids for orientation and instrument changes
*** PLEASE NOTE: IMPORT POSTAGE APPLIES (FEDEX ECONOMY FROM GERMANY)
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MUSSORGSKY, Modest Petrovich (1839-1881) - Pictures at an Exhibition (Ravel). LUCK'S MUSIC LIBRARY
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LUC12733 / orch: 3d1, 3d1, 2+1, 2+1, sax - 4, 3, 3, 1, timp, perc, 2hp, cel, str / Dur 29
Pictures at an Exhibition (Ravel) (Masterworks Series).
Errata corrected. Transposed parts: Cl 1+2, Bass Cl in Bb, Tpt 1-3, Trbn 1+2. Orchestrated by Ravel. Solo tuba in Bydlo.
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RESPIGHI, Ottorino (1879-1936) - Roman Festival (Feste romane). LUCK'S MUSIC LIBRARY
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LUC12834 / orch
3D1.2+1.3+1.2+1/4.4.3.1,timp,perc,mandolin,org,piano (2 players/4 hands),3 buccina,str
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JANACEK, Leos (1854-1928) - Sinfonietta (ILJ 22) (Fuessl). EDWIN F. KALMUS
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A9338 / orch
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WILLIAMS, John Towner (b.1932) - American Journey (Selections) (Signature Series). HAL LEONARD
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HAL04491611 / orch
Premiered at the Lincoln Memorial on New Year's Eve 1999, American Journey is a sweeping orchestral work by John Williams. Written to accompany Steven Spielberg's multimedia presentation for the nation's Millennium celebration, this po
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RACHMANINOFF, Sergei Vassilievich (1873-1943) - Concerto for Piano No. 2 in C minor, Op. 18 (Urtext) (Rahmer). BREITKOPF & HAERTEL
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PB15138 / pf, orch
The present first Urtext edition, created in cooperation with G. Henle Verlag, takes into account the autograph score, as well as recordings with the composer at the piano. The informative texts shed light on the process of creation and the context in Rachmaninoff�s oeuvre.
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GERSHWIN, George (1898-1937) - Concerto for Piano in F (Urtext) (Gertsch). BREITKOPF & HAERTEL
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PB15140 / pf, orch
From publisher's website: In its eventful history, George Gershwin's "Concerto in F" went through numerous changes, cuttings, arrangements, many of which were doubtful and unauthorized. Even the first and so far only printed orchestral score, edited by Frank Campbell-Watson, published in 1942 (five years after Gershwin's death), contains many unauthorized interventions. Through years of research, editor Norbert Gertsch has succeeded in ridding the work of all unauthorized additions and alterations and thus reconstructing an Urtext in its original literal sense from the complex source material from autograph sketches to early recordings. The first text-critical edition of the work is a joint production of Breitkopf (score and orchestral parts) and G. Henle Verlag (piano reduction).
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MUSSORGSKY, Modest Petrovich (1839-1881) - Pictures at an Exhibition (Ravel) (Monnard) (Urtext). BREITKOPF & HAERTEL
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PB05532 / orch
color: rgb(255, 255, 255);">Bol_ro, La Valse and Rapsodie espagnole, presents a text in which even the tiniest detail is authentic. The edition not only eliminates many previously undiscovered errors, but also offers a wealth of practical information on the long and multi-faceted performance history of the work, including the metronome markings of great conductors who were connected to the work in a very special manner.
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BERG, Alban (1885-1935) - Wozzeck (complete). EDWIN F. KALMUS
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A9313 / opera
4.4(4th dEH).4+BCl.3+CBsn: 4.4.4.1: Timp(2).Perc(3-4): Clst.Hp: Str (4-4-3-3-3 in set): Banda: OnStg Pno: Vocal Soli (12 roles: STrebleATTTTBarBarBarBB): Mixed Chor.
Austrian composer Alban Berg (1885-1935) composed the three-act opera Wozzeck between 1914 and 1922 after seeing a production of German playwright Georg Büchner's incomplete drama Woyzeck. Beginning the work in 1914, including the adaptation of Büchner's text into a libretto, Berg's obsession with completing the opera was interrupted by his serving in the Austro-Hungarian Army from 1915 to 1918 and during World War I, an experience which significantly altered his approach to Wozzeck. The plot, which depicts the lives of the inhabitants and soldiers of a rural German-speaking town, follows the title character as he is abused by the soldiers and deals with the infidelity of his wife, who he eventually murders before drowning himself. The opera ends with Wozzeck's son obliviously continuing to play with the other children as word of his murdered mother begins to spread. The opera finally premiered by the Berlin State Opera, Erich Kleiber conducting, on December 14, 1925, eleven years after Berg began work. It is considered the first avant-garde opera, and it famously employs atonality and Sprechgesang, although it does make use of leitmotifs and some classic forms to create some unity and coherence throughout the music and plot. The opera is performed often in both staged and concert settings. Instrumentation: 4.4(4th dEH).4+BCl.3+CBsn: 4.4.4.1: Timp(2).Perc(3-4): Clst.Hp: Str (4-4-3-3-3 in set): Banda (3 banda configurations used, but all banda players may be pulled from the pit orchestra): OnStg Pno: Vocal Soli (12 roles: STrebleATTTTBarBarBarBB): Mixed Choir.
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BACH, Johann Sebastian (1685-1750) - Chaconnes (2) (BWV 1178 & 1179) (Urtext) (Wollny). BREITKOPF & HAERTEL - organ (oblong format)
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EB9648 / organ (oblong format) / org
The search for unknown works by Johann Sebastian Bach has a long tradition that began in the 19th century with enthusiastic Bachians such as Felix Mendelssohn Bartholdy. If, in the present day, two hitherto unattributed organ works are ascribed to the young Bach, then this is a musicological and, above all, a musical sensation!
After more than 30 years of intensive research, Prof. Dr. Peter Wollny was able to prove beyond a doubt that the young Bach was the composer of both pieces.
The Chaconnes BWV 1178 and 1179, published in 2025 for the first time, add two melodious compositions to Bach's early organ repertoire, offering insights into the artistic development of the budding master.
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